Phaser pedals compared

This page contains audio samples and brief description of random phaser pedals. This page is still under construction and I will try to update the informations on each phaser and add new phasers and samples whenever I get to it. This comparison is not intended to be a thorough and deep analysis of each of these pedals, but might help you get a overall view of what different pedals sound like in the same environment with the same input sample. The samples are recorded straight through a Line6 Pod XT, so no amplifiers, microphones or studios were used. Therefore, the samples will not give a very good picture of the sounds that can be achieved from each of these pedals, but since all are in the same environment a comparison can be made.
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Coron effects were build in Japan during the mid-seventies and eighties (most likely by Maxon). The Phaser 55 features Speed and Depth-control. |
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Treadle shaped phaser,
produced from 1974-1979. This phaser has two modes - the first is a
traditional LFO mode in which the pedal is used to control the rate of the
LFO. The second mode is a static mode, in which the LFO is disabled and
the pedal is used to manually sweep the phasing. The pedal has two
switches under the treadle - the toe switch toggles the effect ON and OFF,
the heel switch switches between the two modes. |
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Very sweet and smooth sounding phaser
from the early 80's, based on a similar circuit than EH Small Stone, uses
CA3094E OTAs. |
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The Bad Stone was released
1975 and produced until 1981. It was designed by Bob Bednarz and it was
the first phase shifter to employ feedback in the circuitry. It compasses
6 stages of phases shifting with variable feedback. One speciality of this
phaser is the manual mode, which lets you dial in the phase shift manually
instead of using the LFO (low frequency oscillator). This enables a whole
new dimension of sounds achievable, although no sweeping will occur in the
manual mode. |
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The origin of the
Small Stone dates back to 1974, when Electro Harmonix president Mike
Matthews hired former EMS engineer David Cockerell, whos first design for
EH was the Small Stone phaser. The design was based on Davids previous
work on the EMS Synthi Hi-Fli from 1971 - it is a rather unique design in
that it uses Operational Transconductance Amplifiers (OTA) instead of
operational amplifiers with variable resistors. It is a 4 stage phase
shifter with one additional stage for feedback, which can be activated
using the "Color" switch. There are several different versions of the
Small Stone, a more thorough analysis and comparison can be found in the
article section. |
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The PT-999 is from the early Ibanez series and was manufactured by Maxon in Japan during 1974-1978. It has one control for the speed/rate of the LFO wave and is based on a four-stage phasing circuit (offering 720 degrees of phasing sweep variable from .2 to 14 Hz) with negative feedback of the signal to each phase-shifting FET for less distortion.
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Phaser pedal from the Ibanez
9-series, manufactured 1982-1984 in Japan. Soft and sparkling sounding
phaser with controls for speed, width and feedback. |
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This phaser is from the Master
series (between the 9 and 10-series) from the year 1985. Very versatile
and sweet sounding phaser which lets you choose between 6 and 10 phasing
stages, which corresponds to 3 and 5 notches in the frequency spectrum,
respectively. |
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Jen Elettronica from Pescara, Italy, was the biggest OEM manufacturer in the western world throughout the seventies.
The KPS 900 phaser uses the same housing as the famous Tone Bender and features controls for the intensity
(controls the depth/amplitude of the modulation) and speed of the LFO wave that controls the effect.
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LocoBox offered a line of pedals produced in the late seventies in Japan. Later in the mid-eighties, the LocoBox name was used on a series of generic
Japanese effects, which were also sold by Aria, Guyatone and others.
The Rotophase is a rare and sweet sounding phaser from the earlier production line and has controls for the speed and the intensity of the sweep.
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The little sister of the Phase 90
pedal. Uses 2-stage phasing (instead of 4 as in the Phase 90) for a milder
and softer phasing, yet remaining very musical and organic sounding. Uses
the same 2N5952 transistors as variable resistances as the Phase 90. |
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Very popular 4-stage phaser, using
2N5952 JFET transistors as variable resistances in combination with opamp
stages to create the phase shifting. Sweet, rich sound with nice warm
second harmonic distortion. |
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The MXR Phase 100 was initially
introduced 1974 and manufactured until 1982 (script logo from 1974-77,
block logo from 1978-82), then reissued by Jim Dunlop around 1987. It is
based on a 6-stage phase shifter and offers controls for speed and
intensity and provides a versatile soundscape with warm and strong
phasing. |
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Although better known for
manufacturing drums, Pearl offered several lines of guitar effects in the
1980s. These were manufactured in Japan and mostly designed by former Elk
engineer Mr. Ito. This pedal is from the F-600 series, which predates the
Pearl Sound Spice series (see Pearl FG-01 on the flanger page) and the
Sound Choice series. It offers control for speed and intensity. |
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This pedal offers both a traditional phaser (LFO) as well as envelope tracking (EF) phaser. This portion covers only the traditional phaser, the envelope tracking part can be found in the envelope filter section.
This phaser is based on an opto-electronic circuitry with lots of extra features (i.e. invert control for subtractive or additive phasing, possibility of the use of expression pedals and external audio sources to control the LFO/EF etc...) making this pedal a very versatile and unique unit.
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Mid 1970's phaser by Roland
(pre-Boss era), uses LM2902N Quad Opamps and transistors as variable
resistances. |
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Treadle shaped phaser pedal made
in Germany, presumably in the mid 80's. Very nice sounding phaser with
easily adjustable speed control and two different speed settings. |
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Washburn offered a series of pedals
from around 1983-1989. The phaser of this series has controls for Speed,
Depth and Color and offers a soft and sweet sound with lots of
spaceousness and warmth. |
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